Scrapbooking and journaling are distinct but overlapping practices. Scrapbooking focuses on preserving and arranging photographs, tickets, labels, and other flat ephemera within an album. Journaling is a writing-centred practice that may or may not include visual elements. Many practitioners combine both in what is commonly called a hybrid or art journal.
This tutorial covers the practical side of each: how to select and organise materials for a scrapbook, and how to structure a journaling habit so that it continues beyond the first few weeks. Both have active communities in Canada, including in-person crop nights (scrapbooking group sessions) and journaling circles in many mid-sized and large cities.
Scrapbooking fundamentals
Album format and paper size
The most common scrapbooking album size in North America is 12x12 inches. This format accommodates standard 4x6 prints (landscape or portrait) with space for embellishments and journaling text. Smaller formats — 8.5x11 (standard letter) and 6x8 — are used for more compact albums and travel journals.
Canadian scrapbooking stores (including Michaels, which has widespread Canadian presence) primarily stock 12x12 paper and matching album refills in this size. If working with European paper sizes (A4 or A3), note that the proportions differ and standard North American page kits won't align neatly.
Adhesives
The adhesive used in scrapbooking determines the long-term stability and repositionability of elements on the page. The main types are:
- Acid-free photo tape: Double-sided tape with an acid-free adhesive. Permanent and clean. Suitable for photos and flat paper elements. Available in dispensers from brands like Scrapbook Adhesives by 3L and Xyron.
- Liquid glue (acid-free): Used for layering papers and irregular shapes. Allows slight repositioning while wet. Dries clear. Wrinkles thin paper if applied too heavily.
- Foam adhesive dots and squares: Raises elements off the page surface to add dimensional layering. The height is typically 1–3mm. Useful for die-cuts and photo mats.
- Photo corners: Traditional triangular paper or plastic sleeves that hold photos without adhering directly to the back. Allow photos to be removed later without damage.
All adhesives used on photographs and archival documents should be labelled acid-free and ideally PAT-compliant (Photographic Activity Test). This matters most for photographs that pre-date digital printing — older prints are more vulnerable to chemical degradation from non-archival materials.
Layout composition basics
A scrapbook layout typically contains one to four photographs, a background paper, layered accent papers, and written journaling. The visual hierarchy usually places the largest or most important photograph as the focal point, with supporting elements arranged around it.
Basic two-photo layout structure
Background paper (12x12). One large focal photo (5x7 or 6x4 landscape) placed in the upper two-thirds. One smaller supporting photo (4x4 or 4x3) in the lower section or as a secondary focus. Journaling block (handwritten or printed) placed adjacent to the supporting photo. Embellishments (die-cuts, washi tape strips, stickers) fill negative space without competing with the photos.
Pocket pages and project life formats
Pocket page protectors — clear plastic sheets with pre-cut pockets in standard card sizes — offer a simplified layout approach. Cards (3x4 and 4x6 are most common) are slipped into pockets. This format reduces adhesive use and is well-suited to documenting ongoing events such as a trip, season, or school year.
The approach popularised as "Project Life" (a trademarked format) uses this pocket structure. Many non-branded equivalents exist and are widely available in Canada. The format is particularly practical for people who want to maintain a running visual record without designing individual layouts for each event.
Setting up a journaling practice
Choosing a journal format
The journal format affects how and what you write. The main options are:
- Blank pages: Maximum flexibility. Suits visual journalers and those who sketch or paint alongside writing. Requires more self-direction to establish a consistent structure.
- Dot grid: Provides guidance for writing and drawing without the rigidity of lines. Widely used in bullet journaling. Leuchtturm1917 and Rhodia produce dot grid books available at most Canadian stationery retailers.
- Lined: Straightforward. Suits primarily text-based journalers. Less adaptable to mixed-media use.
- Pre-structured (prompted): Journals with printed prompts or specific fields (gratitude, tasks, reflections). Useful for building a habit, but some practitioners find them restrictive after the initial period.
Frequency and volume
Journaling research (including work published in psychology of writing literature) consistently indicates that short, frequent sessions are more sustainable than longer, infrequent ones for most people. For practical purposes, this means choosing a volume of writing per session that can be completed in five to fifteen minutes on a typical day, rather than aiming for a page count that requires a clear schedule and extended time.
Many experienced journalers in Canada use seasonal review structures: a short daily or weekly practice during active months, with a longer retrospective review at the end of each season. The four-season calendar (rather than a January-to-December annual cycle) maps naturally to Canadian climate patterns and outdoor-based lifestyle rhythms.
Bullet journal structure
The bullet journal system, developed by designer Ryder Carroll and documented at bulletjournal.com, uses a minimal notation system:
- A dot (•) for tasks
- A circle (○) for events
- A dash (–) for notes
Tasks are migrated forward (›) to the next relevant period or scheduled (‹) into a future log if deferred. The system is documented in the published book The Bullet Journal Method by Ryder Carroll (2018, Portfolio/Penguin). The notation system is designed to be modified — most users adapt it significantly to their own needs within the first few months of use.
Art journaling
Art journaling combines writing with visual media — paint, collage, stamping, drawing — within a single book. Unlike a sketchbook, the content isn't necessarily finished artwork; the journal functions as a record of process and reflection. Because art journaling frequently involves wet media (acrylic paint, watercolour, ink), the paper weight matters considerably. Journals intended for mixed media typically use 90–120 gsm paper at minimum; thinner paper warps and bleeds through when wet media is applied.
Canadian climate note for paper storage
In Canadian winters, indoor humidity typically drops to 20–35% in heated spaces. Paper is hygroscopic and contracts in dry conditions, which can cause warping in albums and finished art journals. Storing completed journals in archival boxes or covering them with a board weight reduces this effect. In summer, especially in humid eastern and coastal provinces, the same journals may expand and the covers may bow if they've previously warped in one direction.
Community and resources in Canada
Local scrapbooking crops (group craft sessions) exist in most Canadian cities with active craft communities. These are often organised through local scrapbooking stores, though many stores that operated physical locations have shifted online since 2020. Online groups on social platforms continue to host virtual crop events.
For journaling specifically, the practice intersects with mental health and creative writing communities. Some public libraries in Canada run journaling programs, and several university wellness centres have incorporated reflective writing into their programming.